It is refreshing
not being able to see where a movie will go. There were elements that didn’t
normally go together: mystery and humor, dramatic actors doing humor, porn and
social consciousness. I favored one and was surprised constantly with the
other.
I took the mystery
seriously; well known dramatic leading men looking for a missing girl, it must
be serious. With that in mind, even with the emotional tone always upbeat, I
waited for the tears, death, and the darkness. Almost always I get surprised
into smiling, snickering, and occasionally laughing.
The Nice Guys
benefited from not having the stereotypical comedian. Any point that is comical
became more a release of tension rather than an expectation.
There are comedies
starred by known comedians where it felt like if I laugh less then it’s a
failure, which may not always be a fair assessment. Said movies venture in
drama territory just to add structure and texture.
And then there’s the latest
Ghostbusters who churn out gags and jokes the pacing of a stand-up routine. I
enjoyed that movie up to a point, but it becomes tiresome and shallow at
length.
For The Nice
Guys everyone had a specific job to do. The seriousness I credit to Russell Crowe. Even after I had a laugh I look at him and I go serious again because
there’s a girl missing. He plays Jackson Healy an enforcer for hire whose job
it was to beat to a pulp anyone who was tailing a girl named Amelia (Margaret Qualley). That set him to cross paths with Holland March (Ryan Gosling), he was
closing in on Amelia.
It was a bad
start for March and Healy but a humorous one that set the tone. Healy’s final
blow against March before parting temporarily was to break his arm and he made
this almost shrieking sound. A private investigator is a creature of the
streets so for him to shriek makes him below par. I had my eye on the mystery
so much that I worry for the girl but I also smiled – wow what a shriek. Was
Gosling trying to be funny?
Later on Healy
got beat up by more violent men also looking for Amelia. He was able to fight
them off but now he’s come to realize that Amelia is much more than a simple
college girl. Healy makes up with March; the serious muscle and the stumbling
detective come together. Seriousness gets mixed in with humor.
What’s beautiful
about The Nice Guys is not the buddy detective vibe already building but March’s
truly beautiful 13 year old daughter Holly (Angourie Rice). Seeing the imperfections of March
as a P.I through the eyes of a daughter makes Holland March more endearing. We
all want to be strong for the children, do a job we might not otherwise be
perfect for.
As much as Healy
is the muscle of the partnership it is Holly who watches over her dad. She
glues partnership together, softens anything that would otherwise be too sharp,
in a way that only a sweet innocent girl can bring. Plus she keeps the story in
perspective albeit awkwardly.
A girl is missing – she needs to be found – and
another young girl, the private investigator’s daughter, noses into the case
that goes into the porn industry – wait what? That party scene was great.
Even with the
porn industry in play there are no explicit sex jokes. Lines were all witty, the
humor organic. That meant I never lost my eye on the mystery as I enjoyed the protagonist’s
fun stumble into teamwork and success. Healy always reminds me there’s a job to
do; March stumbles and occasionally is brilliant; Holly makes it all
worthwhile.
I googled The Nice Guys and it classifies it under mystery and crime. You know what, I still do. I watched it without the detriment of watching the trailer embedded above. It is refreshing not being able to see where a movie will go so I stumble my way in.
Even after all my laughter, I still consider The Nice Guys as a mystery but one that provides
all out natural fun and laughter providing a beautiful respite in this age of
superhero movies.
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