It was funny at
first, a woman in midsized heels running to another building just to pee. Then
it became depressing as she still had to relieve herself in another building even
under heavy rain. Eventually it was just idiotic because even in a great emergency
Katherine Goble (Katherine Johnson when she married) would still be in the
other building because she is black.
This is 1960s
segregated America and even the National Aeronautics and Space Administration(NASA) is no exemption, space race notwithstanding.
Hidden Figures is about
three African American women breaking color barriers at NASA during the space
race: Katherine Goble (Taraji P. Henson),
Mary Jackson (Janelle
Monáe), and Dorothy Vaughan (Octavia Spencer). Katherine running is the best shot in the
movie much more than her holding chalk on the board doing math.
Dorothy is the
leader of the three because she the acting supervisor of the colored group of
computers. A computer in this context is
a job title because it required a heavy dose of math.
Mary Jackson in the movie, though with a math major herself, is the more practically inclined having been assigned to the Mercury 7 capsule which still has not been designed good enough to get back to earth in one piece.
Mary Jackson in the movie, though with a math major herself, is the more practically inclined having been assigned to the Mercury 7 capsule which still has not been designed good enough to get back to earth in one piece.
Katherine worked on, among others, the trajectories of the rockets that went to and the capsules that came back from space.
Besides the
obvious allusions to math, the protagonists were hidden figures because as
colored women they were housed in another building. It is for the same reason
that even at work time, when colored need to mix with white, the colored were
never really seen.
Katherine is
supposed to be the focal point. The
movie did start with her a young girl full of potential that her teachers
donated money just so she gets advancement, from 6th to 8th
grade in another negro school. In the climax it was Katherine doing crucial computations was the highlight of John Glenn’s orbital flight.
Between the
start and end, however, the emotional tone gets dispersed.
Math prodigy becomes
three black women in a segregated workplace, and this is just following
Katherine’s grade school scene at the very beginning. Math itself occasionally gives way to issues
of race and equality. Segregated workplace occasionally gets added over the
civil rights movement. Katherine’s work
problems every so often get a romantic respite – from awkward first meeting
with Jim Johnson to marriage proposal. Anybody remember the space race?
Considering the
theme of three historical women at NASA, of the search for true equality in the
midst of a space race; my choice is that Katherine’s love life with Jim should
not have been shown in its full course at least on camera.
From math genius to segregation to space race, romance was just too much of a stray. Take romance out and what remains – math, segregation, space race – will still have been a difficult mix but a more consistent one for segregation. The balance of release of tension to distraction has already tipped over for the latter.
From math genius to segregation to space race, romance was just too much of a stray. Take romance out and what remains – math, segregation, space race – will still have been a difficult mix but a more consistent one for segregation. The balance of release of tension to distraction has already tipped over for the latter.
Dorothy and Mary
could have provided enough tension release; in fact they did, in the second
scene immediately after the grade school scene. That was also the introductory
scene for Dorothy and Mary, and their relationship with Katherine.
gif from payeehay |
In that scene when they had to talk their way out of a white policeman in segregated America, Mary did most of the talking at the same time restraining her own self. Dorothy fixed the car, establishing at least a mechanical background more than any woman. They got out of the situation with the two doing most of the legwork but all three of them having a moment to smile.
Most of us work
in an office I assume, which is why I expected the three to help each other in
times of trouble. I expected them to gossip, be a shoulder to cry on, be that
point of levity; but instead the two had enough weight to go off individually
with their own arcs.
Sure they had
scenes together sharing office troubles but were undeveloped as three friends
trying to survive a segregated office. They just couldn’t over power Jim
Johnson. Every time Jim’s scenes come in it felt like a shout: MEANWHILE in
Katherine’s lovelife.
Dorothy
overpowers Katherine’s scenes especially if seen through the eyes of civil
rights. She leads the colored group,
gives out assignments. What made her
character so great is the foresight with which she modernized the colored
computers to learn how to program an IBM computer. The movie’s epilogue says
that Dorothy became NASA’s first African American Supervisor.
Mary Jackson’s
storyline strayed out of NASA’s compound.
Her fight to get into an all white school for classes that will
eventually become an engineering degree left a hole big enough for another
movie. She became NASA’s first female African American engineer.
Ironically it is
a white man that saved this movie from flying off in different directions
and also from another white man, Paul Stafford (Jim Parsons). Though Paul was supposed to be giving Katherine
a hard time he was just too Big Bang Theory.
The white man who saved it all was Al Harrison (Kevin Costner). Costner
had the gravitas to bring it all into focus.
When he and
Katherine first met he said to look beyond the numbers. Al had a mathematical
point, but saying it to a black woman could also work as to look beyond the
skin. Segregation and space race.
The confrontation between Al and Katherine dripping wet from peeing in the other building. This was the changing of the tide, an emotional scene. Segregation and space race.
And then there was Al handing over chalk to Katherine, just like in grade school when she bested older classmates, now she bested or more accurately seen by white men. He validated her.
The confrontation between Al and Katherine dripping wet from peeing in the other building. This was the changing of the tide, an emotional scene. Segregation and space race.
And then there was Al handing over chalk to Katherine, just like in grade school when she bested older classmates, now she bested or more accurately seen by white men. He validated her.
Hidden Figures’
climax came from the Apollo 13 playbook and it didn’t make as much success because
this isn’t John Glenn’s movie. I can see how difficult it is to make a climax
unique to the characters.
Just get to
the epilogue and get your emotional high. Three women won over segregation and a
nation reached the moon. It’s not sexy
because the message of equality, of being fare to your fellow man, needs to be
worked on by everyone every single day. And it doesn’t
stop now.
No comments:
Post a Comment